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Jehanabad was carved out of old Gaya district on 1st August, 1986. It was a sub-division of Gaya since 1872. Jehanabad district is a part of Magadh Division. This district is 45 km from Patna, the capital of Bihar.

Jehanabad's description is found in the famous book “Aine-e-Akbari”. The book says that the place was badly affected by famine in the 17th century and people were dying of hunger. The Moghul Emperor Aurangzeb, in whose time the book was re-written, established a Mandi for relief of the people and named the “Mandi” as “JAHANARA”. The Mandi was under the direct control and supervision of Jahanara. It is believed that she spent a great deal of time here. In the course of time, the place came to be known as “JAHANARABAD” and later as “JEHANABAD”.

Tradition and legends, Hindu as well as Buddhist, take down the history of Jehanabad to a period of hoary antiquity. The district abounds in ancient and medieval sites, mounds and ruins, some of which contain archaeological remains of considerable importance.

Of the various places in the district which have yielded archaeological remains, Barabar, Dharauat and Dabthu occupy notable positions. The earliest of the archaeological remains in the district are to be found in the Barabar and Nagarjuni hills. The credit for unraveling the charm and appeal of the Barabar hills goes to the celebrated British writer E.M. Forster. His "A Passage to India" is replete with references to the Barabar hills by simply changing the name of the hills and caves to Marabar.

The Barabar hills situated about 14 Kms. East of Makhdumpur railway station in Jehanabad district is famous for its rock cut caves which are supposed to be the earliest examples of cave Architecture in north India. During the reign of Ashoka, the caves were excavated in the Barabar hills for the ascetics of Ajivika sect. These are known as Sudama, Vishwajhopri, Karnchaupar and Lomas rishi and are excavated in the hardest granite with infinite care and the interior surface of all of them contains high polish and are burnished like glass. In the Nagarjuni range about 1 Km to the north east of Barabar hills there are three excavated caves containing the inscriptions of Ashoka’s grandson Dusratha. These are known as Gopi, Vahiyaka and Vedathika.

For sheer panoramic grandeur and rugged natural beauty very few places in the district can be compared to the northern portion of the Barabar hills. From a distance, the twin hills of Barabar and Nagarjuni look like a dragoon slithering slowly towards the horizon. The Archaeological survey of India (ASI) has also sent a proposal to the UNESCO for inclusion of Barabar hills in the world heritage list of monuments.

Dharaut about 10 Kms north west of Barabar hills, has been identified as the site of the Buddhist monastery of Gunamati. Not only does the position of Dharaut correspond with the account of itinerary given by the Chinese pilgrim Huen Tsang but the site of the ruins also agrees with his description. At the foot of the Kunwa hill which shut in Dharaut on the south stretches a large tank known as Chandrapokhar. The name of the tank perpetuates the legend that it was excavated by Raja Chandra Sen. Two modern temples at its north eastern corner once contained a large collection of ancient statues. The most remarkable was a colossal image of twelve armed Avalokiteswara Boddhisatva which has now been shifted to the Patna museum.

Six Kms east of Hulasganj in Jehanabad, Dabthu is chiefly known for its finally carved images and ruins of temples.

A noted scholar and historian FH Hamilton visited Dabthu and adjoing villages in 1811-12. His travelogue contained descriptions of dilapidated structures of magnificent temples including a jain temple, a mausoleum of a sufi saint and numerous images of Hindu gods and goddesses around the temples. Buchanan also talks of a sprawing earthen mound which is still extant. Now little remains of those shrines and idols as described by hamilton and Buchanan. However, in the remains of ancient shrines one can still see images of deities mutilated and decayed by ravages of time.

About 25 Kms south-west of Jehanabad Ghejan is known for a number of ancient Budhist and Brahminical statues. The most interesting of them being a large seated diadem. There was also a large statue of Avalokiteswara with an inscription on the pedestal stating that it was the gift of Sthavira Ratn, who came from Nalanda and dedicated it for the benefit of his two disciples. This piece of Bodhist sculpture has since being shifted to the Patna Musiam.

According to legend, Budha is said to have stayed in the village for a few days while on way to Gaya to attain enlightenment. He had also delivered sermons to a select group of disciples in the village. Later Bimbisar, emperor of Magadh setup a monastery in the village to commemorate Budha’s visit. The ruins of an ancient brick temple also exist in the village and there is also a temple containing a large standing figure of Tara, now worshiped as Bhagwati.

At a time when vested interest are working over time to spread frenzy in the country, a small, unobtrusive Dargah at Kako in Jehanabad stands as a beacon of social harmony and peace for thousands of devotees belonging to both communities, Muslium and Hindus. Bibi Kamal preached religious tolerance and love in opposition to orthodoxy. For her, there was but one God and the world the reflection of God who permeates every thing.

People irrespective of their faith visit the Dargah of Bibi Kamal. Bibi Kamal’s Urs takes place in November every year when cooked rice is distributed amoung devotees seeking her blessings

The language spoken here is “MAGAHI”.

The city of Jehanabad, which is the head quarter of the district, is situated at the confluence of the rivers Dardha & Yamuna. According to the provisional estimate, this district is situated in between 25-0’ to 25-15’ degree North latitude and 84-31’ to 85-15’ East Longitude.

Its surrounding districts are the district of Patna in north, Gaya in south, Nalanda in east and the newly created district of Arwal in the west.

Major part of the land in the district is plain. The rivers Sone, Phalgu, Dardha & Yamuna cris-cross the district. The river Sone that touches the western part of the district is the only perennial river. Rest of the rivers are seasonal. The river Phalgu has got religious importance where the Hindus offer “PIND DAN” to their fore fathers.


The climate of Jehanabad is of extreme nature, i.e. very hot in the summers and biting cold in the winters. The average rainfall of the district is 1074.5 mm. Out of the total rainfall 90 percent comes from monsoons.

The economy of the district is agriculture based. The soil is very much fertile known as “KEWAL” in local terms. This soil is very suitable for the production of rice, wheat, Sugarcane, etc.

Barabar Caves

The Barabar International Tourist Centre is situated in the hilly area of Makhdumpur in Jehanabad (Bihar) situated at a distance of 50 kms from Gaya and 75 kms from Patna. The place is world famous for its ancient Seven Rock cut Buddhist Caves and as the place of origin of Ajivak sect. Famous for its sheer panoramic grandeur and rugged natural beauty, very few places can match Barabar. The serene, calm and unpolluted surrounding provides mental relaxation, total freshness and vigor.

Barabar & Buddhism

There is an organic relationship between Barabar & Buddhism. Some historians believe that this is the place where Lord Budha meditated for a long peroid of 12 Years, and from here only he moved along side “Niranjarna river” (Falgu) towards Bodh Gaya where he got enlightenment. If this fact can be established through research and survey of the area this place will be of no less importance than Bodh Gaya and Sarnath. Near the second Nagarjuna cave constructed by the Mauryan king Dashratha there are ruins, which according to cuningham was a Buddh-Vihar and was demolished by Muslim attackers and made a platform instead. The Kaua Dol Mountain head resembles like a Buddha-Stupa. In the eastern basement of it, the famous Buddhist scholar of Bengal, Sheel bhadra had got constructed a large and beautiful Buddha-Vihar. Here a large statue of Lord Buddha has been found on a platform. This image of Buddha in “Bhumi Sparsh” Mudra is one of the largest statue of Buddha and is in fair preservation. The figure is about eight feet higher with a breadth of four feet across the shoulder and six feet across the knees. The Chinese traveller Huen-TSang has also described about it in his travelogue.

Barabar, the literary connection

The English writer E.M. Foster’s book “A Passage to India” contains a good description of the Barabar hills. In his book he has referred Barabar as “Marabar”. The main characters of his novel visit this place. The heroine of his novel gets wounded in one of the caves and her Indian friend , a Muslim doctor gets arrested and later gets released with the help of the heroine. The movie “ A Passage to India” also shows the Barabar mountain, Patal Ganga and the caves. It seems that Barabar was a fascination for Englishmen & Englishwomen. On completion of 100 Years of E.M. Foster’s book, correspondents of the Pioneer, Lucknow had visited Barabar and a description was published along with Photographs in the Sunday edition of the Pioneer, some years back. Rock Cut Caves THE VISVA ZOPRI CAVE, BARABAR The Rock Cut Caves are the crowning glory of Barabar. Four of these caves are in the Barabar hills and rest three in the adjacent Nagarjuna hills. The caves in Barabar Hills are also popularly known as “SATGHARWA”. The ancient caves, cut in the single granite rock, about 500ft long, find mention in the “MAHABHARTHA” as “Gorathgiri”. The caves belong to the Mauryan period and are an indication of the architectural superiority of that age. The caves are highly symmetrical; their entire interior bears a high polish; the entrances are Egyptian, having sloping jambs and they bear a number of inscriptions belonging to different periods, viz. the Asokan period (252 BC) and the later Gupta period (7th – 8th centuries A.D.) The LOMAS RISHI CAVE depicts the architectural grandeur of the age with the doorway in Egyptian form, having in its front a large recessed porch excavated in the rock, representing an ornamental arched entrance. The decoration further shows a finial crowning the arch. Within the recessed portion, below this, along the arch is carved in relief, a beautiful frieze of elephants with another similar decorative frieze above it The caves depict the proficiency with which the Indian masons of third century B.C. were able to deal with such an intractable material as hard as granite of Barabar Hill. ROCK-CUT-SCULPTURES OF KAUVA DOL On the rocks in the passage leading to the HOLY SIDHESHWARNATH TEMPLE are ancient rock cut sculptures or Shivalinga, figures of Ganesh etc.


Situated at Mussi more in Makhdumpur on Patna-Gaya International tourist route, the gate welcomes the tourist from all over. The design of gate is based on Ancient Buddhist traditions and is a fine blend of modern architect and ancient culture and traditions.
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